Nintendo 64 Architecture

A Practical Analysis by Rodrigo Copetti

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Supporting imagery

The Nintendo 64
Released on 23/06/1996 in Japan, 29/09/1996 in America and 01/03/1997 in Europe
Showing revision 'NUS-CPU-03'.
Later ones reduced the number of chips required for AV encoding
Disk Drive connector is found on the back
Motherboard with important parts labelled
Main architecture diagram

A quick introduction

Nintendo’s goal was to give players the best graphics possible, for this it will partner with one of the biggest players in computer graphics to produce the ultimate graphics chip.

The result was a nice-looking console for the family… and a 500-page manual for the developer.

Don’t worry, I promise you this article will not be that long… Enjoy!


The main processor is a NEC VR4300 that runs at 93.75 MHz, it’s a binary-compatible version of Silicon Graphics' MIPS R4300i that features:

  • Two modes of operation:
    • 32-bit mode: Traditional mode and the most common one for games. Words are 32-bit long.
    • 64-bit mode: Words are 64-bit long (called ‘double-words’). This includes registers, data and memory addresses - though only 40 bits are decoded in the latter case. Consequently, large data can be operated more efficiently, although this also increments the size of the program considerably (for instance, pointers occupy 8 Bytes instead of 4).
  • 32 general-purpose registers: These are 32-bit wide in ‘32-bit mode’ and 64-bit wide in ‘64-bit mode’.
  • The MIPS III ISA: A RISC instruction set that succeeds MIPS II. It features new instructions that operate double-words. The instructions format is 32-bit long, independently of the mode.
    • It’s worth mentioning that since MIPS II, load delay slots are gone for good, though branch delay ones still persist.
  • An internal 64-bit bus connected to an external 32-bit data bus: While double-words won’t degrade performance when operated internally, the CPU will still need to expend extra cycles to move 64-bit data throughout the system.
  • 32-bit address bus: Up to 4 GB of physical memory can be addressed.
  • 5-stage pipeline: Up to five instructions can be allocated for execution (a detailed explanation can be found in a previous article.
  • 24 KB L1 cache: Divided into 16 KB for instructions and 8 KB for data.

An internal Floating-point Unit (FPU) is also included in this package. The VR4300 identifies it as a co-processor (CP1), however, the unit is fitted next to the ALU and it’s only accessed through the CPU’s internal ALU pipeline, meaning there’s no co-processing per se. Though it contains a dedicated register file and will speed up operations with 64-bit and 32-bit floating-point numbers. The FPU follows the IEEE754 standard.

Simplified memory access

The way RAM is assembled follows the unified-memory architecture or ‘UMA’ where all available RAM is centralised in one place only and any component that requires RAM will access this shared location. The component arbitrating its access is, in this case, the GPU.

The reason for choosing this design comes from the fact that it saves a considerable amount of production costs while, on the other side, it increments access contention if not managed properly.

No DMA controller?

Due to the unified memory architecture, the CPU no longer has direct access to RAM, so the GPU will be providing DMA functionality as well.

Memory design

Apart from the UMA, the structure of RAM is a little bit complicated, so I’ll try to keep it simple. Here it goes…

The system physically contains 4.5 MB of RAM, however, it’s connected using a 9-bit data bus where the 9th bit is reserved for the GPU (more details in the ‘Graphics’ section). As a consequence, every component except the GPU will only find up to 4 MB.

Memory layout of this system.
I presume the CPU-RCP bus speed is either the RCP’s clock speed or the CPU one, but I haven’t been able to confirm that, yet.

The type of RAM fitted in the board is called Rambus DRAM (RDRAM), this was just another design that competed against SDRAM on becoming the next standard. RDRAM is connected in serial (where transfers are done one bit at a time) while SDRAM uses a parallel connection (transfers multiple bits at a time).

RDRAM latency is directly proportional to the number of banks installed so in this case, with the amount of RAM this system has, the resulting latency is significant (a post on beyond3d’s forum state it’s around 640 ns). Though this is compensated with a high clock speed of 250 MHz (~2.6 times faster than the CPU) applied on the memory banks. Nintendo claims ‘[RDRAM] can provide high-speed data transfer of 500 MB/sec to read or write consecutive data’.

Furthermore, there’s another discussion on beyond3d’s forums that claim that Nintendo chose NEC’s uPD488170L memory banks for their motherboard. These chips implement a technology called ‘Rambus Signaling Logic’, which doubles the transfer rate. This may explain why some sources state the ‘effective’ rate is 500 MHz.

Finally, the amount of available RAM on this console can be expanded by installing the Expansion Pak accessory: A fancy-looking small box that includes 4.5 MB. Curiously enough, the RAM bus must be terminated, so the console always shipped with a terminator (called Jumper Pak) fitted in the place of the Expansion Pak. Now, you may ask, what would happen if you switch on the console without any Pak installed? Literally nothing, you get a blank screen!

Memory management

The VR4300 includes another coprocessor called System Control Coprocessor (CP0) which is composed of a Memory Management Unit (MMU) and a Translation Lookaside Buffer (TLB), the former handles how memory is organised and cached. The VR4300 can access up to 4 GB worth of 32-bit memory addresses, but as we’ve seen, we don’t have 4 GB of RAM in this console (even after considering memory-mapped I/O). So, the MMU takes over memory addressing and provides a useful memory map where the physical memory is mirrored multiple times. Consequently, memory locations are treated as ‘virtual addresses’ (as opposed to ‘physical addresses’). Furthermore, the TLB enables developers to define their own memory map in some mirrors without (significant) performance penalties.

At first, this may seem redundant, but each mirror (called ‘segment’) is connected to different circuitry (i.e. L1 cache, uncached, TLB address) so developers can optimise usage by selecting the most appropriate segment depending on the needs.

Some segments are meant to discriminate ‘kernel’ locations from ‘user’ ones for security purposes. The N64 always operate in ‘kernel’ mode, thus, the ‘non-TLB kernel cached’ segment (called ‘KSEG0’) is the most common one for games.

The MMU can also work in 64-bit mode, where the virtual address space covers 1 TB worth of addresses. Though for obvious reasons, there’s no need to dive into that mode in this article.


What you see on the screen is produced by a huge chip designed by Silicon Graphics called Reality Co-Processor and running at 62.5 MHz. This package contains a lot of circuitry so don’t worry if you find it difficult to follow, the graphics sub-system has a very complex architecture!

This design is based on the philosophy that the GPU is not meant to be a ‘simple’ rasteriser like the competitor’s. Instead, it should also be capable of accelerating geometry calculations (offloading the CPU), and for that, more circuitry will be needed.


This chip is divided into three main modules, two of them are used for graphics processing:

Reality Signal Processor

Architecture of the RSP

Also known as RSP, it’s just another CPU package composed of:

  • The Scalar Unit: A MIPS R400-based CPU that implements a subset of the R400 instruction set.
  • The Vector Unit: A co-processor that performs vector operations with 32 128-bit registers. Each register is sliced into eight parts to operate eight 16-bit vectors at once (just like SIMD instructions on conventional CPUs).
  • The System Control: Another co-processor that provides DMA functionality and controls its neighbour module, the RDP (more about it later on).

To operate this module, the CPU stores in RAM a series of commands called Display list along with the data that will be manipulated, then the RSP reads the list and applies the required operations on it. The available features include geometry transformations (such as perspective projection), clipping and lighting.

This seems straightforward, but how does it perform these operations? Well, here’s the interesting part: Unlike its competitors (PS1 and Saturn), the geometry engine is not hard-wired. Instead, the RSP contains some memory (4 KB for instructions and 4 KB for data) to store microcode: A small program, with no more than 1000 instructions, that implements the graphics pipeline. In other words, it directs the Scalar Unit on how it should operate our graphics data. The microcode is fed by the CPU during runtime.

Nintendo provided different microcodes to choose from and, similarly to the SNES' background modes, each one balances the resources differently.

Reality Display Processor

Architecture of the RDP

After the RSP finished processing our polygon data, it will start sending rasterisation commands to the next module, the RDP, to draw the frame. These commands are either sent using a dedicated bus called XBUS or through main RAM.

The RDP is another processor (this time with fixed functionality) that includes multiple engines to rasterise vectors, map textures onto our polygons, mix colours and compose the new frame.

It can process either triangles or rectangles as primitives, the latter is useful for drawing sprites. The RDP’s rasterisation pipeline contains the following blocks:

  • A Rasteriser: Converts primitives (made of vertices) into pixels.
  • A Texture Unit: Processes textures using 4 KB of dedicated memory (called ‘TMEM’) allowing up to eight tiles to be used for texturing. It can perform the following operations on them:
    • Bilinear filtering: Maps the selected 2D texture over the 3D shape and smooths it to avoid pixelated areas (caused by oversampling).
      • A ‘complete’ filter would require four points to carry out the interpolation, however, this console only uses three (triangular interpolation) resulting in some anomalies. Thus, certain textures will have to be ‘adapted’ beforehand.
    • Mip-Mapping: Automatically selects a scaled-down version of the texture depending on its level of detail. This avoids computing large textures that would be seen far away from the camera and prevents aliasing (product of undersampling).
      • If enabled, the RDP maps textures using trilinear filtering instead. This new algorithm will also interpolate between the mipmaps to soften sudden changes in the level of detail.
    • Perspective correction: The chosen algorithm for mapping textures onto triangles. Unlike others inverse-mapping algorithms, this one takes into account the depth value of each primitive, achieving better results.
  • A Colour Combiner: Mixes and interpolates multiples layers of colours (for instance, to apply shaders).
  • A Blender: Mixes pixels against the current frame buffer to apply translucency, anti-aliasing, fog, dithering. It also performs z-buffering (more about it later on).
  • A Memory interface: Used by the previous blocks to read and write the current frame buffer in RAM and/or fill TMEM.

The RDP provides four modes of functioning, each mode combines these blocks differently to optimise specific operations.

Since this module is constantly updating the frame buffer, it handles RAM very differently: Remember the unusual 9-bit ‘byte’? The ninth bit is used for frame buffer-related calculations (z-buffering and antialiasing) and can only be operated through the Memory interface.

The resulting frame must be sent to the Video Encoder to display it on-screen (DMA and the Video Interface component are essential to accomplish this).

The theoretical maximum capabilities are 24-bit colour depth (16.8 million colours) and 640x480 resolution (or 720x576 in the PAL region). I mention it as ‘theoretical’ since using the maximum capabilities can be resource-hungry, so programmers will tend to use lower stats to free up enough resources for other services.

Quick demo

Let’s put all the previous explanations into perspective, for that, I’ll borrow Nintendo’s Super Mario 64 to show, in a nutshell, how a frame is composed:

Vertex Processing

Primitive view of our scene
In order to save polygons, some characters are modelled using sprites (quads)

Initially, our materials (3D models, etc) are located in the cartridge ROM, but to keep a steady bandwidth, we need to copy them to RAM first. In some cases, data may be found pre-compressed in the cartridge, so the CPU will need to de-compress it before operating it.

Once that’s done, it’s time to build a scene using our models. The CPU could carry out the whole pipeline by itself but that may take ages, so many tasks are delegated to the RCP. The CPU will instead send orders to the RCP. This is done by carrying out these tasks:

  1. Compose the Display List that contains the operations to be carried out by the RSP and store it in RAM.
  2. Point the RSP where the display lists are.
  3. Send microcode to the RSP to kickstart the Scalar Unit.

Afterwards, the RSP will start performing the first batch of tasks and the result will be sent to the RDP in the form of rasterisation commands.

Pixel processing

Rendered frame (Tada!)

So far, we managed to process our data and apply some effects on it, but we still need to:

  • Rasterise vectors, apply textures and other effects.
  • Display the frame buffer.

As you may guess, these tasks will be performed by the RDP. To make this work, textures must be copied from RAM into TMEM using DMA.

The RDP has a fixed pipeline but we can select the optimal mode of operation based on the current task to improve frame-rate.

Once the RDP finishes processing the data, it will then write the final bitmap to the frame buffer area in RAM. Afterwards, the CPU must transfer the new frame to the Video Interface (VI) preferably using DMA. The VI will, in turn, sent it to the Video Encoder for display.


Here are some examples of previous 2D characters for the Super Nintendo that have been redesigned for the new 3D era, they are interactive so I encourage you to check them out!

3D model
The Legend of Zelda: Ocarina of Time (1998)
785 triangles
3D model
Kirby 64: The Crystal Shards (2000)
516 triangles

Modern visible surface determination

If you’ve read about the previous consoles, you came across the never-ending problem regarding visibility of surfaces and by now may think polygon sorting is the only way out of this. Well, for the first time in this series, the RDP features a hardware-based approach called Z-buffering. In a nutshell, the RDP allocates an extra buffer called Z-Buffer in memory. This has the same dimensions of a frame buffer, but instead of storing RGB values, each entry contains the depth (Z-value) of the nearest pixel with respect to the camera.

After the RDP rasterises the vectors, the z-value of the new pixel is compared against the respective value in Z-buffer. If the new pixel contains a smaller z-value, it means the new pixel is positioned in front of the previous one, so it’s applied onto the frame buffer and the z-buffer is also updated. Otherwise, the pixel is discarded.

Overall, this is a huge welcomed addition: Programmers do not need to worry anymore about implementing software-based polygon sorting methods which drain a lot of CPU resources. However, Z-buffer does not save you from feeding unnecessary geometry (discarded or overdrawn, both consuming resources). For this, game engines may choose to include an occlusion culling algorithm to discard unseen geometry as early as possible.

Secrets and limitations

SGI clearly invested a lot of technology into this system. Nonetheless, this was a console meant for the household and as such, it had to keep its cost down. Some hard decisions resulted in difficult challenges for programmers:

Pipeline Stalls

Due to the huge number of components and operations in the graphics pipeline, the RCP ended up being very susceptible to stalls: An undesirable situation where sub-components keep idling for considerable periods because the required data is delayed at the back of the pipeline.

This will always result in performance degradation and is up to the programmer to avoid them. Although to make things easier, some CPUs such as the Scalar Unit implement a feature called Bypassing which enables to execute similar instructions at a faster rate by bypassing some execution stages that can be skipped.

For example, if we have to compute sequential ADD instructions, there’s no need to write the result back to a register and then read it back every time each ADD is finished. We can instead keep using the same register for all additions and do the write-back once the last ADD is completed.

Texture memory

The RDP relies on 4 KB of TMEM (Texture memory) as a single source to load textures. Unfortunately, in practice 4 KB happened to be insufficient for high-resolution textures. Furthermore, if mipmapping is used, the available amount of memory is then reduced to half.

As a result, some games used solid colours with Gouraud shading (like Super Mario 64) and others relied on pre-computed textures (for example, where multiple layers had to be mixed).

The universal video out

Nintendo carried on using the ‘universal’ Multi Out port found on its predecessor, bad news is that it no longer carries the RGB signal! It looks to me like another measure to save costs since RGB wasn’t used anyway in the previous console.

The good news is that the three lines can still be reconstructed in the first revisions by soldering some cables and fitting an inexpensive signal amplifier. This is because the video digital-to-analogue converter transmits an RGB signal to the video encoder. However, later motherboard revisions combined both chips, so the only remaining option is to bypass the video DAC and encoder altogether with custom circuitry that exposes those signals.


Before we go into the details, let’s define the two endpoints of the N64’s audio sub-system:

  • Our starting point is the cartridge ROM, it contains data that only the CPU can interpret.
  • The ending point is the Digital-to-Analog converter or ‘DAC’, which only understands waveform data.

Now, how do we connect both ends? Consoles normally include a dedicated audio chip that does the work for us. Unfortunately, the Nintendo 64 doesn’t have such dedicated chip, so this task is distributed across these components:

  • The main CPU: Transfers the audio data from the game’s ROM to RAM, then it initialises Audio Lists to be used by the RSP.
  • The RSP: With the use of even more microcode, it interprets the audio lists previously stored in RAM and performs the required operations to the audio data which, for example, can include:
    • Uncompressing ADPCM samples and applying effects.
    • Sequencing and mixing MIDI data using audio banks stored in RAM as well.

The resulting data is, as expected, waveform data. This is then sent to the Audio Interface or ‘AI’ block which will then transfer it to the digital-to-analogue converter. The resulting waveform contains two channels (since our system is stereo) with 16-bit resolution each.

Overview of how the audio pipeline is often programmed

The repertoire

Time to checkout the soundtracks made for the N64. There are too many (good ones) to mention in this article, so here are some that caught my attention:

The Legend of Zelda: Majora’s Mask (2000)
The music of this game is tied to its daunted atmosphere
Bomberman Hero (1998)
This game has nice and unique house-based soundtrack

Secrets and limitations

Because of this design, the constraints will depend on the implementation:

  • Sampling rate can be up to 44.1 kHz, but using the top rate will steal lots of CPU cycles.
  • There’s no strict limit in the number of channels, it all depends on how much the RSP is capable of mixing (often around 16-24 channels if processing ADPCM or ~100 if PCM).
  • Memory is another concern, while competitors relied on larger mediums (i.e. CD-ROM) and dedicated audio memory, Nintendo 64 cartridges hold much less data (let alone music data) and have to share main memory with other components.

For those reasons, players may notice that N64 ports contain lesser quality music or repeated scores. Although a common workaround is to implement a music sequencer that ‘constructs’ samples at runtime using a pre-populated set of sounds (similar to MIDI music).

Operating System

Similar to the PS1 and Saturn, N64 games are written for bare-metal. However, there are no BIOS routines available to simplify some operations. As a substitute, games embed small OS that provides a fair amount of abstraction to efficiently handle the CPU, GPU and I/O.

This is not the conventional desktop OS that we may imagine at first, it’s just a micro-kernel with the smallest footprint possible that provides the following functionality:

  • Multi-Threading using message passing (don’t forget the CPU is single-core).
  • Scheduling and Preemption.
  • Simplified register and I/O access.

All in all, those functions are critical for organising audio, video and game logic tasks that need to work concurrently.

The kernel is automatically embedded by using Nintendo’s libraries. Additionally, if programmers decide not to include one of the libraries, the respective portion of the kernel is stripped to avoid cartridge space being wasted.


As you know by now, I/O is not directly connected to the CPU, so the RCP’s third module (which I haven’t mentioned until now) serves as an I/O interface, this is the block handling communication with the CPU, controllers, game cartridge and Audio/Video DACs.


The Nintendo 64 controller includes a connector used to plug-in accessories. Examples of commercial accessories include:

  • The Controller Pak: Another medium (similar to Sony’s Memory Card) used to store save data and share it with other consoles.
  • The Rumble Pak: Contains a small motor to provide haptic feedback, useful for ‘immersing’ the player in certain games.

All accessories connected to the controller are managed by the Peripheral Interface (PIF), an obscure block that also handles security. The RCP communicates to the PIF using a ‘really slow’ (words from the programming manual) Serial bus.


Nintendo held on to the cartridge medium for storage instead of switching to optical discs. As a consequence, games enjoyed higher bandwidths (according to Nintendo, an average of 5 MB/sec) while also being more expensive to produce. The biggest cartridge found in the market has 64 MB.

Inside cartridges, manufacturers may include extra memory (in the form of EEPROM, flash or SRAM with a battery) to hold saves. Though this is not a strong requirement anymore since certain accessories could be used to store saves as well.

Cartridges communicate to the RCP using a dedicated 16-bit bus called Parallel Bus (PBUS) or ‘Parallel Interface’ (PI).

Source Development Kit

In general, development was mainly done in C, assembly was also used to achieve better performance. While this system provides a 64-bit instruction set, 64-bit instructions were rarely used since, in practice, 32-bit instructions happened to be faster to execute and require half the storage.

Libraries in the official SDK contain several layers of abstractions to command the RCP. For example, C structs like the Graphics Binary Interface or ‘GBI’ were designed to assemble the necessary Display lists more easily, the same applied for audio functions (its struct was called Audio Binary Interface or ‘ABI’).

In terms of microcode development, Nintendo already provided a set of microcode programs to choose from. However, if developers wanted to customise it, that would indeed be a challenging task: The Scalar Unit instruction set wasn’t initially documented, but later on, Nintendo changed its position and SGI finally released some documentation for microcode programming.

Hardware used for development included workstations supplied by SGI, like the Indy machine which came with an extra daughterboard called U64 that contains the hardware and I/O of the retail console. Tools were supplied for Windows computers as well.

Other third-party tools consisted of custom cartridges featuring a long ribbon cable that connected to the workstation. This cartridge fitted in a retail Nintendo 64 but included internal circuitry to redirect ‘read’ requests from the console to the workstation’s RAM. The deployment/debugging process was carried out by transferring a copy of the game to RAM and then when the console was switched on, it would start reading from there.

The alternative medium

Additionally, the PBUS branches out to another connector at the bottom of the N64’s motherboard. This was meant to be used by the yet-unreleased Nintendo 64 Disk Drive (64DD), some sort of an ‘extra floor’ that contains a proprietary magnetic disk reader. Its disks provide up to 64 MB of capacity. While only released in Japan, the Disk drive opened the door to an alternative (and cheaper) medium for distributing games.

The Nintendo 64 Disk Drive.
Released on 01/12/1999 in Japan.
The 64DD attached to the console.

The magnetic medium is slower than cartridges, with transfer speeds of up to 1 MB/sec, but still faster than 4X CD-ROM readers. Disks are double-sided and operate at ‘Constant Angular Velocity’ (like the later miniDVD). The smallest readable area is called ‘block’ and it’s half of a concentric circle.

There’s no buffer memory included in this reader, so the bits read are stored in RDRAM for execution. Nintendo bundled the RAM expansion unit with the 64DD, so that compensates for the sudden need for more RAM (apart from standardising the extended RAM with 64DD games).

Furthermore, parts of the disk are re-writable to enable storing saves, the amount of writable area depends on the type of disk used (Nintendo provided seven types). On the software side, game data is structured with a filesystem called ‘Multi File System’ (MFS) provided by Nintendo with their SDK. Games can either access disk data using the file system or on a block-to-block basis, the latter relies on another library called ‘Leo’ for low-level functions.

The Disk drive also houses an internal ROM (referred to as ‘DDROM’) that stores code the N64 executes to bootstrap the disk and show the splash animation, this is called ‘Initial Program Loader’ (IPL). The ROM also stores fonts (Latin and Kanji) and some sounds. This ROM is only found on retail units (development units relied on external programs loaded through the dev kit).

Anti-piracy / Region Lock

The anti-piracy system is a continuation of the SNES' CIC. As you know, bootleg detection and region locking are possible thanks to the CIC chip (which must be present in every authorised game cartridge), the Nintendo 64 improved this system by requiring different games to have a specific variant of the CIC chips. This makes sure the cartridge is not counterfeit or contains a CIC clone. The PIF performs checksum checks at the start and during gameplay to supervise the current CIC installed on the cartridge.

If for any reason the PIF considers the current cartridge is not valid, it will then induce the console in a permanent freeze.

Region-locking was done by slightly altering the shape of the cartridge between different regions so the user can’t physically insert the game on an N64 from a different region.

Overall, there wasn’t too much concern regarding piracy thanks to the use of cartridge medium, although game prices were three times higher than CD-based ones.

Unused ports

As silly as it may seem, Nintendo left one door opened: The Disk Drive port.

The Doctor V64 attached to the console
The back of the V64, showing some interesting A/V

A few companies reversed engineered the interface to develop their own hardware, and some of the resulting products became a concern for piracy.

I guess the one worth mentioning is the Doctor v64, this device has the same shape as the Disk Drive but included a CD-ROM drive instead.

The expansion can rip the contents of the cartridge to a CD, the opposite (reading ROM files from a CD) is also possible.


When I was a kid I used to play some N64 games on a Pentium II machine using an emulator, it wasn’t that bad but in later years I wondered now how the freck was it able to happily emulate a complex 64-bit machine since, among other things, my PC barely had enough RAM to keep the integrated video alive.

The truth is, while reproducing the architecture of this console can be complex, things like microcode will give a hint of what the console is trying to do, and since emulators don’t have to be cycle-accurate, they can apply enough optimisations to provide more performance in exchange for real emulation.

Another reason is the 64-bit instructions, since games barely used them, emulation speed would hardly be hit when running on a 32-bit host machine.

That’s all folks

I have to say, this article may be the longest one I’ve ever written, but hopefully you found it a nice read!

I’ll probably take the following days to tide up some things on the website instead of starting to write the next article.

Anyway, if you enjoy my articles and would like to help, please take a look here. If you have any comments or suggestions, feel free to email me here.

Until next time!


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Sources / Keep Reading



Audio / Video

  • Silicon Graphics Computer Systems, Nintendo Ultra64 RSP Programmer’s Guide. 1996.
  •, Pre-written Microcodes.




Other Media



This article is part of the Architecture of Consoles series. If you found it interesting then please consider donating. Your contribution will be used to fund the purchase of tools and resources that will help me to improve the quality of existing articles and upcoming ones.

A list of desirable tools and latest acquisitions for this article are tracked in here:

### Interesting hardware to get (ordered by priority)

- Nintendo 64 console and a controller (£40 - £60)
- A N64 game (£5 - £15)
- Any Dev kit (only if found at a reasonable price)
- N64 DD (only if found at a reasonable price)

Alternatively, you can help out by suggesting changes and/or adding translations.


It's always nice to keep a record of changes.

### 2021-07-03

- Added more photography from Evan Amos gallery

### 2021-05-23

- Added more info about 64-bit mode
- Added section about MMU and TLB
- Expanded 64DD section
- Replaced vague terms with more appropriate ones
- Improved 'Sources' structure

### 2020-09-23

- Added info about video out

### 2020-05-20

- Avoid mixing up TMEM with actual Texture cache. Thanks monocasa from Hackernews

### 2020-05-08

- Added Mario 64 screenshot with original resolution

### 2020-04-22

- Improved 9-bit explanation. Thanks /u/mallardtheduck

### 2020-04-14

- Small changes to perspective correction info

### 2020-04-11

- Dedicated more text to the visibility approach 

### 2020-02-26

- Expanded texture unit section.

### 2020-01-11

- Added repertoire

### 2019-10-29

- Added some 3d models to fiddle with

### 2019-09-17

- Added a quick introduction
- Corrected some explanations

### 2019-09-12

- Released to the public, yay

Rodrigo Copetti

Rodrigo Copetti

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